Movie Style Moments We'll Never, Ever Forget (and Still Want to Wear Today)

If we were to list all of our favourite movie style moments, we could go on and on and on, so instead we've decided to focus on the outfits that we still want to re-create in 2018. Not to dismiss the costume design in Breakfast at Tiffany's and Clueless, of course, but you can wear the following eight looks without people thinking you're dressed for Halloween early. From Gwyneth Paltrow's exquisite holiday outfit in The Talented Mr. Ripley to Keira Knightley's pitch-perfect evening gown in Atonement, these eight onscreen outfits are the ones we still dream of wearing.

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(Image credit: Shutterstock)

Keira Knightley's green silk dress from Atonement has led to a thousand copycats. 

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(Image credit: Shutterstock)

The backless white swimsuit Grace Kelly wore in High Society is exactly what we want to bring on our next trip.

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(Image credit: Shutterstock)

The wardrobe in The Talented Mr. Ripley has long been our ideal holiday aesthetic, and Gwyneth Paltrow's white shirt and silk scarf looped around her ponytail still look just as elegant in 2018.

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(Image credit: Shutterstock)

You'll find the blazers from Heathers in every street style gallery.

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(Image credit: Rex)

Julia Roberts's style in Notting Hill is so 2018—berets, boxy white tees and Le Specs esque sunglasses.

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(Image credit: Rex)

This might not be an obvious style moment, but thanks to Meghan Markle and her white engagement look, we're once again really into this Maid in Manhattan Dolce Gabbana coat.

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(Image credit: Shutterstock)

Hair slides and teddy-bear coats (as seen in the The Royal Tenenbaums) are still a winner in 2018.

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(Image credit: Shutterstock)

Polka-dot dress and white pumps… You could easily re-create this Pretty Woman look in Zara.

Emma Spedding
Freelance Fashion Editor

Emma is a freelance fashion editor with over 15 years experience in industry, having worked at The Telegraph, Grazia and, most recently, British Vogue. Emma was part of the founding team of Who What Wear UK, where she worked for six years as Deputy Editor and then Editor—helping shape the team into what it is today is one of the biggest privileges of her career and she will always see herself as aBest Knockoff Luxury Clothing girl, contributing to both the US and UK sites. Whether she's writing about runway trends or spotlighting emerging brands, she aims to write about fashion in a way that is democratic and doesn't promote over consumption.